When this publication first reported on Gore Wars earlier this month, the casting call for Screamify's practical-effects competition series came with homework: a 90-second produced audition tape — thirty seconds of introduction, sixty seconds of an original horror scene. That requirement is now gone.

As of July 21, the production accepts a simple reel: examples of an artist's existing practical-effects work — prosthetics, makeup effects, blood rigs, creature builds — totaling roughly three minutes. Nothing new needs to be shot. The change lowers the cost of consideration from a weekend of production to an afternoon of editing, and it arrives with the deadline in sight: casting closes August 20, 2026, now under four weeks away.

Count Orlok aboard the Empusa in Nosferatu
Nosferatu (1922) — public domain

The essentials are unchanged from our July coverage. The series, in development at the independent horror streamer Screamify (which reports more than 20,000 subscribers), is built on a strict practical-only premise — no generative AI, no CGI — and its winner takes a $10,000 grand prize on the show. Eligibility holds at US residents, 18 and over; submitted work must be the artist's own, with consent from anyone appearing on camera. It remains, as we framed it then, a casting call for a series in development rather than a contest — the reel is a bid for a place in the cast, not a raffle ticket.

The premise has not softened. As we wrote in that first feature: "A convincing wound gag, a working splatter cannon, a creature that holds up in close-up — none of it can be faked in an hour with a plugin." And the argument for the format still holds: "Practical work ages well because it obeys physics."

Lon Chaney in London After Midnight
London After Midnight (1927) — public domain

One provision merits repeating in an anxious year for working artists: the production pledges that submissions are watched by human producers for casting purposes only, and are never used to train AI systems. The campaign's own imagery follows suit — real, public-domain classic-horror frames rather than generated art, a policy this publication can respect.

Artists who filed the earlier 90-second format need not act; those who were deterred by it now have a simpler door, and 27 days to walk through it. Submissions are open at gorewars.com.

Images: The Cabinet of Dr. Caligari (1920), Nosferatu (1922), London After Midnight (1927) — authentic public-domain stills; no AI imagery.

Disclosure: Gore Wars is produced by Screamify, a sister company of Horror Dispatch's parent. Casting details verified against the official terms at gorewars.com/rules.