LOS ANGELES — In a move that signals a significant shift in her career trajectory, acclaimed film director Antoinette Jadaone has officially launched her production entity, Ilaya Ilaya Studios. The new banner, established in late September 2026, marks a pivot from solo direction to broader creative stewardship. For an auteur known for her precise, atmospheric work, this expansion into studio leadership suggests a desire to control the pipeline of horror cinema from development through distribution.

Anchor Title: 'Birdsong'

Headlining the studio’s initial slate is 'Birdsong', a found-footage horror feature. The choice of format is notable in a market where the subgenre has become a distinct, if polarizing, niche. By leading with this specific style, Jadaone is positioning Ilaya Ilaya Studios as a home for experimental, low-budget horror that prioritizes texture and unease over high-production polish.

The casting announcement further clarifies the studio’s ambitions. Kaila Estrada is set to star in 'Birdsong', a role described as her first lead in a feature film. Pairing a rising talent with a found-footage framework suggests a strategy of nurturing new voices within the indie horror ecosystem. The film is expected to be directed by Pam, a name that appears in early production notes, though the director’s full surname remains a point of minor ambiguity in current reports.

For the independent horror community, this launch is more than a corporate filing; it is a statement of intent. By controlling the production of 'Birdsong', Jadaone is asserting editorial control over how the found-footage genre evolves. The studio’s name, Ilaya Ilaya, carries a regional resonance that grounds the venture in a specific cultural context, suggesting a horror that is both globally marketable and locally rooted.